Elastic Av Johanne Bille

<p>When Alice is with Mathilde, her experience of the world shifts, as though Mathilde brings with her a force that charges everything around her: the park bench, the sticky linoleum floor of the supermarket, their interlocked hands, the buttons on a winter coat. But Mathilde is also mercurial and “perfectly” married to Alexander, and Alice is moving into a bigger flat with Simon who has just returned to her life. Alice’s precarious solution is to proceed into a quadrilateral relationship, impatient to define her own outline in the eyes of others.</p><p><em>Elastic </em>is a novel about being a woman. About being a woman among other women, among men, and about being alone with one’s female body. Alice doesn’t like being a woman. She feels estranged from her own body, from her gender. At the same time, <em>Elastic</em> is also a modern love story. About Alice’s silenced yet stormy crush on the enigmatic Mathilde. A crush that has no place neither in Alice''s relationship with Simon, in Mathilde’s marriage, or even in Alice herself.</p><p>Bille cleanly gleans the nebulous distinctions between love, sex and intimacy, exerting a softly fragmentary style that underpins Alice’s vacillations. She explores what it means to refuse settling – in a relationship, in society, and within oneself – and to want both love and community without being able to detach from the selfishness that brought us there in the first place.</p><h2> <b>Praise for </b><em><b>Elastic</b></em> </h2><p>The tone of the novel is set from the very first page. Alice, a brilliantly honest main character, narrates the novel in a uniquely fragmented style. Bille uses creative imagery that is sometimes disturbing, but always poetic</p><p><em><b>– Buzz Magazine</b></em></p><p><em>Alice in Wonderland </em>like you’ve never seen her before</p><p><em><b>– Octavia Bright</b></em></p><p><em></em>Bille’s Alice has relatives or even sisters in Françoise Sagan’s 1950s novels – there is something Saganesque about <em>Elastic</em> and its depiction of open love affairs and the complicated triangulations, mirroring and conflicts they might entail</p><p><b>– </b><em><b>Politiken</b></em></p><p><em></em>A novel that speaks quietly and yet insistently of the loneliness of being in love and the feeling of being trapped in one’s own body</p><p><b>– </b><em><b>Information</b></em></p><p><em>Elastic</em> is difficult to let go of. It left me with the feeling of being seen. And not just seen: seen through</p><p><em><b>– POV International</b></em></p><p><em>Elastic</em> is first and foremost a tale of Alice and her fumbling attempts to set love free. But it is the novel’s lonely, heartfelt voice and its unromantic depiction of love that gets stuck into your bones</p><p><b>– </b><em><b>ATLAS</b></em></p><p><strong>JOHANNE BILLE </strong>(b.1993) is a Danish novelist based in Copenhagen. <em>Elastic </em>is her second novel, originally published in Danish by Forlaget Gladiator in 2018.</p><p><strong>SHERYLIN NICOLETTE HELLBERG</strong> is a literary translator. She has published translations of Tove Ditlevsen, Jonas Eika, and Ida Marie Hede. In 2018, she received an American-Scandinavian Foundation Award for her translation of Caspar Eric’s <em>Nike</em>.</p>